Archive for June, 2009
Costume Jewellery History part 2a Georgian invovations
Posted by: | CommentsThe term Costume Jewellery was not used by the Victorians and the Georgians before them but they did make lots of use of non precious materials in their jewels. These are the earliest examples of costume jewellery which have survived in any quantity and are available to purchase today. Part 2a discusses innovations in costume Jewellery which were made during the Georgian era and 2b takes a long look at Victorian Costume Jewellery
Georgian Costume Jewellery Materials:
Paste Jewellery was introduced in the Georgian era , a high quality imitation of real gemstone jewellery. The “Gemstones” were made of glass which was often foil backed and could be cut and polished just like the real thing but at a much more affordable price. These paste gems were set into all types of jewellery and they can still be found today, I think a particularly interesting collecting field is paste set buckles which can be found from around £20 upwards.
Pinchbeck was a high quality alternative to gold, it looked like the real thing. Genuine pinchbeck items are quite rare today, many of the items described as pinchbeck are in fact gold plated. Pinchbeck is not plated but a metal where the gold colour continues all the way though – check at points of wear such as edges and hinges. If the metal colour shows signs of plating it is not pinchbeck. Pinchbeck is quite light in weight in comparison to gold, it is made from an alloy of Zinc and Copper.
Cut steel jewellery consisted of lot of tiny faceted metal studs which were set onto back plates, this sparkled almost like diamonds under the artificial lighting of the day. Something which looked similar to cut steel jewellery was marcasite set jewellery – again faceted and black but this time the studs are a natural crystal of Iron Pyrites. Most marcasite jewellery you see today is 20th century in origin so please check very carefully if you think you have a piece of Georgian marcasite jewellery.

cut steel brooch
Wedgwood first introduced their jasper cameo jewellery in the Georgian era and these are still being made to this day
Vauxhall glass is a type of mirrored glass often in black or ruby red colour. This had been invented before the Georgian era but most of the pieces available today in Vauxhall glass are Georgian or sometimes Victorian. The glass is beveled / faceted at the edges and tiny pieces make up the piece of jewellery.

vauxhall glass buckle
Georgian Costume Jewellery Forms:
So what forms were these costume jewellery materials set into? In the early part of the Georgian era the French Rococo style was in fashion. This is scrolling and asymmetrical perhaps a complex forerunner of art nouveau style. In the 1750s large flower brooches were high fashion and rings could be worn on any finger. Sentimental and mourning jewellery was widely worn – look out for date and dedicated Georgian mourning brooches which can still be acquired for under £50.
From the mid 1700s the “Grand Tour” was popular with those who could afford the trips to see the ancient world this led later on in the 1790s to the Georgian style became much simpler with the Neo-classical taste taking over. This had very simple uncluttered lined when compared with the earlier rococo pieces. Here we see Greek key patterns and Etruscan influences and, of course, a rise in popularity of the cameo.

georgian classical cameo brooch
In the early 1800s wearing lots of jewellery at the same time was popular: several rings, several rows of pinchbeck chains, long pendant earrings and several bracelets all at the same time. With this quantity of jewellery only the rich could afford real and those aspiring to look the part turned to costume jewellery
Between about 1820 and the early Victorian era a more naturalistic style was apparent – flower brooches of all types. Cut Steel jewellery was still popular and coral was re-introduced as a must have fashion. In the 1820s wearing hair jewellerywas all the rage with necklaces and bracelets at the same time.
This leads us up to the Costume Jewellery of the Victorian era which is the subject of my next blog entry
Costume Jewellery History part 1, ancient and medieval
Posted by: | CommentsVintage Costume Jewellery History part 1 , ancient and medieval
Part one of AntiquesAvenue’s guide to the history of vintage costume jewellery looks at what was worn in the ancient world right up through the middle ages until the beginnings of the industrial revolution when more sophisticated jewellery gradually became available due to improving production capabilities. Very little of this jewellery remains to be bought today which is still wearable, any which can be found is best kept as a collectable and if we wish find quality reproduction pieces to wear.
Before the 1920s there was no such term as “Costume Jewellery” but there was plenty of jewellery made from materials which nowadays we would call costume , that is non precious materials.
Truly prehistoric cultures are thought to have worn Jewellery and amulets made of natural materials such as leather, shell and feathers. Think of the reproduction items made by American Indians and the African and South Sea Tribal cultures today.
The ancient Egyptians before them the Sumerians and later on the Phoenicians developed a style of costume jewellery which has been imitated and reproduced many times through thee ages. We see some lovely ceramic beads in shades of turquoise and blue which have survived in the ancient Egyptian tombs . The Egyptians made glass beads and they used pearls which were found in the river Nile. These were used in designs including hieroglyphics and scarabs. The brooch shown below is a 1920s copy which looks something like a piece of costume Jewellery from ancient Egypt

Egyptian style brooch
The classical cultures of ancient Greece and Rome loved precious jewellery made of gold but they also made costume jewellery from glass mosaics. There is an abundance of ancient Greek and Roman Jewellery to see in our museums today – you can certainly see early cameos and intaglios carved with classical gods much like the shell cameos of today but of course shell has long disintegrated and we just see genuine ancient examples in glass . The ancient Romans and Greeks both used semi precious gemstones with the amethyst being popular as it was believed to ward off drunkenness.
The medieval era and the Renaissance also wore Jewellery of non precious materials – bronze was used and semi precious stones were worn most often in cabochon shape which was easy to polish. Motifs changed with Christian and celtic religious emblems replacing the ancient gods. Jewellery not often seen today such as Girdles, Cloak clasps and circlets went with the clothing of the day and were worn by both men and women. Pearls especially large baroque ones were highly regarded. There is very little original medieval jewellery surviving you will have to visit a museum to see any nowadays .
In the next part of my look at the history of costume jewellery I take a look at Vintage Jewellery which can still be found today from the Georgian and Victorian times.
10 eras of Vintage Costume Jewellery
Posted by: | Comments10 eras of vintage Costume Jewellery , a new mini series.
Over the next week or so I am planning a new mini series here all about the history of Vintage Costume Jewellery. I will be looking at the style, themes , motifs, colours and materials popular at the time hopefully helping you to identify how old your special pieces are. Also I will include a few famous designer names to look out for where relevant

Costume Jewellery
1. Ancient and Medieval Costume Jewellery
- What did Ancient Egyptian Jewellery have in common with costume Jewellery of today?
2. Victorian and Georgian Costume Jewellery
The earliest pieces of costume jewellery which can easily be found today are from the Georgian era and the Victorians introduced a whole new range of materials and styles.
3. Edwardian Era and 1910s
Art Nouveau, Arts and Crafts and the romanticism of the Edwardian times
4. Art Deco Costume Jewellery
1920s and 1903s bold colours design and new materials which followed from the difficult times of the first world war
5. 1940s and the cocktail era
The huge influence of the USA on costume Jewellery design
6. 1950s and diamante
As life returned to normal after the second world war design changed and the 1950s again brought new styles and materials, space age Jewellery
7.1960s and pop art jewellery
Plastics, shiny metals and simple bold designs and colours – pop art and psychedelia
8.1970s
Not exciting but collectable for the future?
9.1980s
Wonderful new designs and copies of old ones
10. Contemporary Costume Jewellery to collect
What is available from the 1990s and 200o’s to buy today and collect for tomorrow?
Want to see some vintage costume jewellery?
Vintage earrings flower diamante 1950s costume jewellery
These vintage earrings are super examples of how diamante can be used for best effect in costume jewellery. Just look at the range of shapes, sizes colours and finishes to the stones. All the diamante have been individually prong set. These are clip on type earrings. They date from vintage 1950s and measure about 4 cms long
Have you seen my range of vintage costume jewellery earrings?
vintage art deco lavalier necklace green glass filigree
An original vintage necklace from the art deco era. This is made of green glass beads with filigree metal detail in lavalier style. This necklace measures about 42 cms long with the pendant drop being a further 6.8 cms. This necklace dates from circa 1930sHave you seen my other original glass vintage costume jewellery necklaces?
Vintage Jewellery News – update end June
Posted by: | CommentsThe latest Vintage Jewellery news update from AntiquesAvenue. I have been busy acquiring and adding some lovely fresh stock of vintage jewellery to antiquesavenue.co.uk web shop during June.
Take a look around at the excellent selection of vintage gold charms ( with more to come over the next week) and I have been lucky enough to acquire some more genuine lucite brooches which I believe are a great collectable for the future as well as very wearable right now.

Lucite Brooch
In the antique Jewellery section there are some newly added pieces of Scottish hardstone pebble jewellery. This Jewellery was first popularised by Queen Victoria with her passion for all things from Scotland. Scottish pebble or hardstone jewellery is set with polished stone from the Scottish mountains and is often Celtic in design. I have quite a good selection of Scottish hardstone Brooches and a rather nice moss agate pendant.
Not exactly wearable jewellery but certainly as pretty and as intricate with high quality workmanship are miniature enamel boxes . The most desirable are made in England and I have found some special once by Crummels and Halcyon days
And a sneak preview of whats coming to antiquesavenue shop in early July: Some lovely miniature silver picture frames, Some amazing vintage silver jewellery by the best names in Scandinavian silver ( D Andersen, G Jensen and more) and an excellent fresh collection of antiuqe stick pins …………. watch this space.
Links to AntiquesAvenue blog
Posted by: | CommentsDo you have a antiques, Collectibles, Vintage or Jewellery website and would like to exchange links here with AntiquesAvenue Blog? If so please do get in touch . I am still open to having guest bloggers write a piece for the blog as well so if you have something interesting to sya about a relevant subject I would love to hear from you.
One Website which has been in touch is centralkentuckyantiques.com who specialise in antiques and collectibles – do take a look
Art Pottery Sale News
Posted by: | CommentsJust a quick note to let you know I am having a sale of art pottery and studio pottery on eBay starting this Sunday evening. Some amazing pots are for sale by auction starting from just £4.99 plus P&P. Snap up a bargain with pieces by Ruskin, Denby, Aller Vale, Susie Copper, Lovatts Langley and Wedgwood. Take a look at AntiquesAvenue on eBay

Art Pottery Sale
10 different types of vintage ring
Posted by: | CommentsI’ve just been adding vintage rings into my webshop and it struck me what a wide variety of rings there are available. Here is my guide to ten different types of ring
1. Signet ring. These started out in ancient times as seal engraved rings which could be used to seal or authenticate paperwork. They have a wide flat surface which is intaglio engraved with the design of the wearers choice. The rings can be made of pure gold or the seal ends set with a semi-precious hardstone. When collecting signet rings it is the quality of the carving and the design which makes the ring desirable or not.

signet ring
2. Wedding ring. Betrothal rings exchanged on marriage. These are usually high carat gold and usually a plain band of gold although some Victorian examples are gem set. There was an act of parliament in 1738 which required that wedding rings are hallmarked and this means that most wedding rings can be easily dated. You can often find wedding rings with engravings on the inside -expressing the love between the couple.
3. Engagement ring Exchanged upon promise of marriage. Engagement rings are often the single most expensive piece of jewellery a woman will ever own.. It is quite usual for these to have just one single stone – a diamond and as large as possible please.
4. Eternity ring The Eternity ring completes the set of three rings given by a man to his wife – eternity rings are often given ( but not exclusively) in the birth of the first child.
5. Sentimental and freindship ring The designs on friendship and sentimental rings include symbols or hidden meanings to indicate the bond between the two friends. One example is the REGARD ring which is set with 6 gemstones each initial of which spells the word REGARD ( Ruby, Emerald, Garnet,Amethyst, Ruby, Diamond). There are other words which can be spelt out in stones such as SOUVENIER, AMORE and DEAREST. Friendship rings often depict two clasped hands which may hold flowers or hearts – the traditional Claddagh or Fede ( Italian for trust) rings. A ring incorporating a horse shoe would be given as a good luck token( Please wear with the opening pointing up for good luck rather than bad.
6. Art deco ringsYou can still find genuine art deco rings with wonderful art deco styling if you look around. These are often in the bold art deco colours of black, white, red, Green and blue. Good diamond and emerald examples are very expensive but look for very stylish silver rings set with marcasites for a genuine piece of period style at a bargain price.
7. Arts and crafts ring The arts and crafts ring was simple in style and shape but often had great workmanship , You can find lovely silver rings set with a moonstone cabochon or how about one with a small Ruskin type ceramic stone?
8. Art Nouveau ring Not easily found these days but original art nouveau rings are rather wonderful – Similar to art nouveau pendants they can be found with enamelling in Peacock colours on a silver base.
9. Cocktail ring / Dress Ring The cocktail or dress ring is a showy gemset ring designed for party or other formal occasions. The theme is big and bold – this can either be one large gem or lots of smaller ones . They can be all one colour or have several colours fitted into one ring. The cocktail ring really started with the cocktail era in circa 1940s however smaller less showy gemset rings have always been popular.

cocktail ring
10 Modern ring Modern and contemporary rings are made in all sorts of amazing shapes and designs. Look out for rings made by names craftsmen jewellers: Andrew Grima from the 1960s / 1970s ( and also Stuart Devlin from that era). The Scandinavian silversmiths make some wonderful designs (George Jensen or David Andersen are highly regarded). To bring the ring makers right up to date also see Wendy Ramshaw, JEG Defner, Gerda Flockinger)
What ever type of vintage ring you choose to collect do take care that they are in good condition and they do not need much in the way of re-sizing for you to wear as that may be difficult and expensive.
10 ways to care for vintage jewellery
Posted by: | CommentsHave you a collection of vintage jewellery or antique jewellery – perhaps you have just one or two pieces. These precious gems need special care and attention, Here is my ten point guide to the caring for them:
1. Keep an inventory of your vintage jewellery
Vintage Jewellery can be valuable, is difficult to replace and often has sentimental meaning to its owner. If you have an inventory of your jewellery you will be at least be able to insure in case of loss, damage or burglary. Keep all your receipts from when you purchase your jewellery, take a photograph or two of each piece as well. Jewellery is very difficult to photograph clearly but even a bad photo is better than nothing. Are there any makers markings or hallmarks? Copy these down which will help to find a replacement if necessary. Also note down the size of each piece.

vintage earrings
2. Check the condition regularly
Jewellery should be checked fairly regularly to ensure that there is no wear. The settings on rings become worn and you can loose a stone, strings of beads or pearls wear and you could loose some precious stones if attention is not paid to the wear before it becomes to late. If you do not know what to look for take the piece to your jeweller who will give your precious antiques a health check.
3. Keep your vintage jewellery clean – but do not over clean
Make sure you do not get perfume and make up onto your vintage jewellery. This will tarnish or discolour your pieces. You can clean your jewels occasionally but check that you are using the right method of cleaning for they materials and dont clean off any of the finish. Gold gilt will wear off as will paint and lacquer
4. Wear pieces seperately
If you wear more than one item of vintage jewellery at a time please do keep them separate as the pieces will wear against each other. For example two rings worn on the same finger especially if the golds are of different carats.
5. Wear pieces carefully
I suggest that you do not wear your vintage and antique jewellery every day to keep it at its best. This would especially apply to rings. Necklaces, brooches and earrings are all subject to wear and so are perhaps best kept for special occasions. Or why not just have several pieces and rotate them so no one piece gets too much wear?
6. Take care with storage
You vintage jewellery should be stored carefully – each piece should be separated from the next by lint free cloth or acid free tissue. If stored together in a box pieces will scratch and rub each other.
7. Choose your jewellery carefully
If you take a piece to be services or repaired take care when selecting your jeweller. Not every high street jewellery is experienced with vintage gems. Ask around first – you need someone with specialist knowledge so as not to destroy the piece or its value.
8. Do have pieces restored if necessary
So the worst has happened, your vintage ring has lost a stone, a clasp on a necklace is broken or the pin on a brooch. It is worth taking the time and expense to have a good piece of vintage jewellery repaired but see point 7 and ensure this is done correctly
9. Buy a Jewellery loupe
If you are buying lots of vintage and antique jewellery I suggest that you get a jewellers loupe ( a special x10 magnifying glass) this really does help to examine pieces up close. And learn how the loup properly
10.Learn about your jewellery
If you dont know what you’ve got ask an expert, buy a book or look it up on the internet. If you have a very special piece I migh take a look for you – just send me a photo in . jpg format and I will write about it here on my blog

